December 19 / London, UK / The O2 Arena Notes:
"This is a really big building," Springsteen said of the new O2 complex, its luxury-boxed surrounded by shops and restaurants,
all underneath an enormous fabric dome. "That's okay -- we're the big building killers." He added, "Also known as dead
ass killers, for those of you still in your seats!" And if killing is their business, then business was good -- especially
with the "Because the Night" sandwich in the main set, that song featuring amazing guitar work from Nils once again. "Waitin'
on a Sunny Day," loved by the crowd, also helped enliven some asses and bring the arena down to size.
Nearly the same setlist as Paris, only with
"The River" replaced by two songs back-to-back, "Working on the Highway" and "Racing in the Street." This was only the second
"Racing" of the tour, after its debut in Oakland nearly two months ago, and it was an audible, played by request: "You've
been following us around for two months with that one sign," Bruce nodded to a guy in the crowd, "So we're gonna get that
one for you." The rarity was an especially welcome moment for those who have been seeing these shows night after night, too.
Here at this last E Street Band show of the leg and of 2007, Bruce sent them a special shout-out in the encore, "I'd like
to thank all the fans that followed us across Europe."

In the encore, Clarence -- introduced tonight
as "the next King of England!" -- did a royally good job on "Jungleland." (Last time "Racing" and "Jungleland" were played
in the same show was 23 years ago, 12/13/84 in Memphis.) For the 25th and final song, Bruce asked, "Do you believe in Santy
Claus?" He encouraged the lobbing of hats onstage, and as the band was haberdashed for the last time this year, a little girl
had some special headgear just for Steve: bobblehead Santa earmuffs. Steve hemmed and hawed, but he couldn't say no. Surely
a classic photo in the making (anyone?). "Happy holidays from the E Street Band," Bruce called, wrapping up the 2007 Magic
tour, and "We'll see you in the summer!"
Which brings us to a TICKET
ALERT: A second 2008 London show at Emirates Stadium, just announced for May 31, goes on sale tomorrow morning, December 20, at 10 a.m.! -Photograph by Harry
Scott
Setlist: Radio Nowhere No Surrender Night Lonesome Day Gypsy
Biker Magic Reason to Believe Because the Night She's the One Livin' in the Future The Promised Land Waitin'
on a Sunny Day Working on the Highway Racing in the Street Devil's Arcade The Rising Last to Die Long Walk
Home Badlands * * * Girls in Their Summer Clothes Jungleland Born to Run Dancing in the Dark American
Land Santa Claus is Comin' to Town
December 17 / Paris, FRA
/ Palais Omnisports De Bercy Notes: With
the setlists all but static here at the end of the European leg, we've first got to acknowledge some frustration among repeat
attendees, the Loneliness of the Long-Distance Tour Follower. A "real ballbuster" says one of tonight's show, the penultimate
night of the '07 tour, being virtually identical to the last three -- while of course granting it's a great show for anyone
who's not catching multiple nights. ("You do it to yourself," as Radiohead says.)
Differentiating the Paris set from Belfast
was a shake-up of the standard opening trio (adding both "Night" and "No Surrender" in between "Radio Nowhere" and
"Lonesome Day") and most remarkably, a killer "Jungleland" in the encore. Clarence was perfect, Bruce sounded great, and "it
hasn't sounded that good since '78" was a reasonable reaction. Bruce sent "Jungleland" out "for Leonardo, and for Paris."
It wouldn't be Paris without Elliott Murphy, and a couple songs later Bruce's old friend and regular guest was onstage for
"Dancing in the Dark."
For the closing "Santa Claus" -- "Croyez
vous au Pere Noel?" -- enough Santa caps were hurled onstage that Springsteen was able to go around and make sure everyone
in the band got one. The Boss himself got a custom model -- when Kevin Buell came out with the guitar for the song, he also
brought the red cowboy hat from Belfast, which Bruce clearly took a shine to. And with the entire band decked out, tonight
demonstrated what we've said before: no one wears a Santa hat like Bruce. Not even Steve, though the headscarf/hat combo is
a unique touch. "Joyeux Noel from the E Street Band!" Setlist: Radio Nowhere No Surrender Night Lonesome Day Gypsy Biker Magic Reason to Believe Because
the Night She's the One Livin' in the Future The Promised Land Waitin' on a Sunny Day The River Devil's
Arcade The Rising Last to Die Long Walk Home Badlands * * * Girls in Their Summer Clothes Jungleland Born
to Run Dancing in the Dark (w/ Elliott Murphy) American Land Santa Claus is Comin' to Town
December 15 / Belfast, IRE / Odyssey Arena Notes: Springsteen
played here a year ago with the Sessions Band, but this is the E Street Band's first show in Belfast. A strangely static setlist
for this late in the leg, with just one change from the previous show in Cologne: "No Surrender" was in for "The Ties That
Bind." But a looser Bruce -- much as he connected with crowds around the continent and made an always-appreciated effort to
speak the local language, you could feel him relax a bit here to be back in English-speaking territory. And a little amusement
ride surely didn't hurt his mood, either. "I like the new Ferris wheel!" he said before "Magic," referring to the Belfast Wheel at City Hall, just opened in October. "A town with a Ferris wheel -- that's a good thing."
Before a lovely "The River," Springsteen mentioned that his brother-in-law
was in the crowd, the "inspiration" for the song (along with Bruce's sister, of course). And just in case anyone needed the
dots connected between "The River" and "I'll Work for Your Love," a wedding party was also in the house, apparently having
come straight from the nuptials. When Bruce called out "Are there any lovers here tonight?" as usual, he was quickly directed
to them -- the bride still in her gown, the groom still in his tuxedo. "Did you get married today?" Bruce asked, and dedicated
the song to them. Performance high points were the "Reason to Believe"/"Because the Night"/"She's the One" trifecta, "Kitty's
Back," and "Santa Claus," which featured some impressive headgear. Someone threw onstage a red felt cowboy hat with white
fur trim and a white band that read "Merry Christmas." And once again, Bruce managed to make it look good. -Photograph by Harry Scott
Setlist: Radio Nowhere No Surrender Lonesome Day Gypsy Biker Magic Reason
to Believe Because the Night She's the One Livin' in the Future The Promised Land Waitin' on a Sunny Day The
River I'll Work for Your Love Devil's Arcade The Rising Last to Die Long Walk Home Badlands * * * Girls
in Their Summer Clothes Kitty's Back Born to Run Dancing in the Dark American Land Santa Claus is Comin' to
Town
December 13 / Cologne, GER / Koln Arena Notes:
A smoking show, both literally and figuratively -- the Koln Arena must be one of the last such venues where lighting up
is still permitted, and when the lights came up they revealed quite a cloud overhead. A surprisingly simlar set to
the previous night, considering it's just a couple hours' drive. But the enthisiastic Cologne crowd, on their feet all night,
set this one apart -- and who can complain about "Because the Night" two nights in a row? "The Promised Land" had that newly
added "People Get Ready" gospel coda again, too. "Kitty's Back" was absolutely smoking, particularly Roy's solo --
a killer, jazzy improvisation, which Bruce echoed as he followed it with an extended solo of his own.
The end of "American Land" brought a patented James Brown routine,
as Bruce fell over backward, "exhausted," still on the floor as the band went into a bonus "Santa Claus is Comin' to Town."
Nils and Steven helped him up to sing, and a special guest joined in, too. "Wolfgang, do you believe in Santa Claus?" Bruce
cried to Wolfgang Niedecken -- like Joe Grushecky in Pittsburgh, you can pretty much bank on Niedecken joining in when Bruce
comes to Deutschland. The German rocker didn't really seem to know the song, rarely stepping to the mic, but all eyes were
on Bruce anyway, especially once he put that Santa hat on. How does he manage to make that thing look good? Tilting
it at a rakish angle, twirling the pom-pom around like a helicopter... no one wears a Santa hat like Bruce. Hey, the guy's
a professional.
Setlist: Radio Nowhere The Ties That Bind Lonesome Day Gypsy Biker Magic Reason
to Believe Because the Night She's the One Livin' in the Future The Promised Land Waitin' on a Sunny Day The
River I'll Work for Your Love Devil's Arcade The Rising Last to Die Long Walk Home Badlands * * * Girls
in Their Summer Clothes Kitty's Back Born to Run Dancing in the Dark American Land Santa Claus is Comin' to
Town
December 12 / Antwerp, BEL / Sports Paleis Notes: It
was singalong night in Antwerp, at Bruce's urging -- he seemed to figure that was the best way to keep the audience into the
show. The musical high point came early on, with the tour premiere of a stupendous "Because the Night" (which belonged
to Nils, thanks to his monster solo), transitioning seamlessly into "She's the One." On the latter, perhaps inspired by Nils'
stunning performance, Bruce added some cool guitar flourishes of his own to the beginning. But what really got the crowd up
was "Waitin' on a Sunny Day," the song's first performance since Philly, and Bruce kept that ball rolling with the singalong-friendly
"The River" and "Working on the Highway." Soon he was asking them to join in on "Long Walk Home," and he added a bonus audible
in the encore, "Tenth Avenue Freeze-out," complete with the I-ain't-gonna-play-it-until-you're-loud-enough extended intro.
Springsteen spoke Flemish and French, both official languages
of Belgium. "The Promised Land," which has had a gospel-style outro on this leg, tonight went into a full-blown "People Get
Ready" coda, with Soozie, Nils, Steve, and Clarence all joining in on vocals. The Big Man, or "Mr. Soul Santa Claus," as Bruce
called him, added some particularly hearty ho-ho-hos to "Santa Claus is Comin' to Town" -- said the Boss, "Don't tire yourself
out, Santa!"
Setlist: Radio Nowhere No Surrender Lonesome Day Gypsy Biker Magic Reason
to Believe Because the Night She's the One Livin' in the Future The Promised Land Waitin' on a Sunny Day The
River Working on the Highway Devil's Arcade The Rising Last to Die Long Walk Home Badlands * * * Girls
in Their Summer Clothes Santa Claus is Comin' to Town Born to Run Tenth Avenue Freeze-out Dancing in the Dark American
Land
December 10 / Stockholm, SWE / Globe Arena
Notes: While everyone had a great show tonight, and Steve was very into it, clowning around even more than usual, there
was no denying this was the Big Man's night. With "She's the One," the crowd began bowing "we're not worthy!"-style during
Clarence's solo, and they kept it up for his turn in "Working on the Highway" and onward. By "Dancing in the Dark," Bruce
and Steve were doing it too! "Dancing" also featured Clarence's son Christopher on acoustic, and during the band intros Bruce
proclaimed Clarence "The Godfather of Swedish Soul!"
"The River" came out for the second show
in a row -- as in Copenhagen, this was a tight, album-style version of the song, as opposed to the drawn-out version of tours
previous. It's a spare rendition, too, with no electric guitar: Bruce on just harp and vocals, Steve on acoustic, and Nils
on pedal steel. Oh -- and plus the vocal stylings of about 15,000 fans.
Yes, a tremendous Swedish audience as we've
come to expect, with great energy -- everyone into the show, singing along in all the right places. And not in the
wrong ones -- when Bruce went to shush the crowd as usual before "Reason to Believe," they went pin-drop silent before he
even finished his request. And you better believe Bruce took notice, saying in the encore, "It's an incredible audience out
there tonight," and granting an enormous banner's request of "Jungleland," dedicating it to the crowd. "Jungeland" was played
in place of the setlisted "Santa Claus is Comin' to Town"... but a few songs later, Bruce decided to keep the show going after
"American Land" for the first time, adding "Santa" to cap the show as a bonus track (the way it should be, we think), with
a merry "God jul from the E Street Band!" -Concert
photograph by Riku Olkkonen; banner photo by Lars Flugsrud
Setlist: Radio Nowhere No Surrender Lonesome
Day Gypsy Biker Magic Reason to Believe Candy's Room She's the One Livin' in the Future The Promised
Land I'll Work For Your Love The River Working on the Highway Devil's Arcade The Rising Last to Die Long
Walk Home Badlands * * * Girls in Their Summer Clothes Jungleland Born to Run Dancing in the Dark (with Christopher Clemons) American Land Santa
Claus is Comin' to Town
December 8 / Copenhagen, DEN / Forum Copenhagen
Notes: The Danes were an energetic crowd,
and the venue setup didn't hurt the vibe -- the smallest of this European leg, holding only 10,000, and dominated by a large
floor with very few seats at all. Introducing "Livin' in the Future," Bruce said that the band had decided that Europeans
should be allowed to vote in the next U.S. election, "Because it's everybody's ass!" "Darkness" got a big response, but not
compared to the elation in the crowd at the tour premiere of "The River." Rob Smith tells us: "I've never heard a wilder
response to a Springsteen song. It seemed like everyone in the whole joint was belting out every word from start to finish."
That went right into "Tenth Avenue Freeze-out," the song's first main-set appearance on this tour, which sustained the peak.
No visit from "Santa Claus" tonight, despite its place on the handwritten setlist and a Santa hat thrown onstage --
instead, Bruce called an audible after "Girls in Their Summer Clothes," ripping right into "Kitty's Back." Which was far from
coal in the stocking. -Photograph by Riku Olkkonen
Setlist: Radio Nowhere No Surrender Lonesome
Day Gypsy Biker Magic Reason to Believe Darkness on the Edge of Town She's the One Livin' in the Future The
Promised Land I'll Work for Your Love The River Tenth Avenue Freeze-out Devil's Arcade The Rising Last to
Die Long Walk Home Badlands * * * Girls in Their Summer Clothes Kitty's Back Born to Run Dancing in the Dark American Land
December 4 / Oslo, NOR / Oslo Spektrum Notes:
"Cadillac Ranch," not played since October, was an audible, played by request in place of the setlisted "Backstreets."
Also in the set were "Jackson Cage" and "Tunnel of Love" (with Soozie still filling in for Patti). And Norwegians had "Santa
Claus" to keep them warm, as some went straight from the show to queue up for tickets to next year's Oslo show, on
sale in the morning.
Setlist: Radio Nowhere No Surrender Lonesome
Day Gypsy Biker Magic Reason to Believe Jackson Cage She's the One Livin' in the Future The Promised
Land Working on the Highway Tunnel of Love Cadillac Ranch Devil's Arcade The Rising Last to Die Long
Walk Home Badlands * * * Girls in Their Summer Clothes Santa Claus is Comin' to Town Born to Run Dancing in the Dark American Land
December 2 / Mannheim, GER / Sap Arena
Notes: After Friday's postponement, Springsteen made it through back-to-back shows -- Saturday's make-up show in Arnhem
and tonight in Mannheim -- with hardly a sniffle. "Bruce was amazing as always, despite getting over a bad cold," Daniele
Clark tells us. "Full of energy as usual," another showgoer says, "one hell of an E Street blast." The European setlists have
remained relatively static so far, without the tour premieres that marked so many of the U.S. shows; maybe that's to give
Charlie Giordano a chance to get up to speed, or to present a set to Europe that worked so well in the states, or maybe both.
But it's worth noting that on these two nights Bruce has moved the "Darlington"/"Working on the Highway" slot to just after
the nightly "Promised Land," a shift that makes for a less jarring transisition into "Devil's Arcade" a few songs later. Good
to see him keep tinkering. With Patti Scialfa still absent from the European leg, Bruce dedicated "Girls in Their Summer Clothes"
to the "Maedchens of Deutschland and two girls from Jersey!" And for the next song, "Santa Claus" -- the one new addition
on this leg so far, premiering the night before in the Netherlands -- came to Deutschland, too. -Photograph by Riku Olkkonen
Setlist: Radio Nowhere No Surrender Lonesome
Day Gypsy Biker Magic Reason to Believe Jackson Cage She's the One Livin' in the Future The Promised
Land Working on the Highway Tunnel of Love Darkness on the Edge of Town Devil's Arcade The Rising Last to
Die Long Walk Home Badlands * * * Girls in Their Summer Clothes Santa Claus is Comin' to Town Born to Run Dancing in the Dark American Land
December 1 / Arnhem, NED / Gelredome Notes:
The Netherlands concert was postponed to give Bruce a little extra time to recover from a severe cold. Just a 24-hour
delay, but that made this a December show instead of a November show -- so all of a sudden, it's holiday time! In fact, the
Dutch holiday of Saint Nicholas' Eve is mere days away. "Someone told me... is it Sinterklaas?" Bruce asked, "Sinterklaas? December 5? Okay, in honor of the Netherlands...." And with that, out came the first "Santa
Claus is Comin' to Town" of the year.
Setlist: Radio Nowhere No Surrender Lonesome
Day Gypsy Biker Magic Reason to Believe Candy's Room She's the One Livin' in the Future The Promised
Land Darlington County Tunnel of Love Night Devil's Arcade The Rising Last to Die Long Walk Home Badlands *
* * Girls in Their Summer Clothes Santa
Claus is Comin' to Town Born to Run Dancing in the Dark American Land
November 28 / Milan, ITA / Datchforum Notes: A fantastico setlist for the Italians, with
the first "Adam Raised a Cain" since Oakland, "Incident on 57th Street" following "I'll Work For Your Love," and a handful
of audibles shaking up the plan. Bruce decides to forego "Working"/"Darlington" altogether, having "Incident" go right into
"The E Street Shuffle" instead. In the encore, "Tenth Avenue Freeze-out" replaces the setlisted "Growin' Up," and "Thunder
Road" is played in place of "Kitty's Back."
Setlist: Radio Nowhere The Ties
That Bind Lonesome Day Gypsy Biker Magic Reason to Believe Adam Raised a Cain She's the One Livin' in
the Future The Promised Land I'll Work For Your Love Incident on 57th Street The E Street Shuffle Devil's Arcade The
Rising Last to Die Long Walk Home Badlands * * * Girls in Their Summer Clothes Tenth Avenue Freeze-out Thunder Road Born to Run Dancing
in the Dark American Land
November
26 / Bilbao, ESP / Bilbao Exhibition Centre Notes: Madrid and Bilbao may be 400 kilometers are apart, but Bruce still
gave these two Spanish cities the Night A/Night B treatment, in terms of setlists. For this second night of the European leg,
Bilbao got six songs not played the night before. In the main set, "Night," "Jackson Cage," "Backstreets" ("Incident" was
an alternate on the setlist), and "Darlington County." In the six-song encore, "Tenth Avene Freeze-out" made its second tour
appearance, after its debut on the final night in Boston; it went right into "Kitty's Back" ("Born to Run" was not between
them, as originally reported).
Our friend Salvador Trepat from Point Blank tells us: "This was the best show I've seen since 1981. Period. Think of Philly #2 this year, and double it. Unreal energy,
performance, and atmosphere. Bruce was on fire. Forget Barcelona 2002, which was great -- this was perfection from beginning
to end, with some of those moments that we wait for. "Tenth" into "Kitty's" (which they absolutely nailed) was one of them.
I'm sure no tape or video will be able to capture that, you had to be there. 100% agreement among fans when leaving the place.
Everyone was in absolute ecstasy." I think he liked it!
Setlist: Radio Nowhere Night Lonesome
Day Gypsy Biker Magic Reason to Believe Jackson Cage She's the One Livin' in the Future The Promised
Land I'll Work For Your Love Backstreets Darlington County Devil's Arcade The Rising Last to Die Long
Walk Home Badlands * * * Girls in Their Summer Clothes Tenth Avenue Freeze-out Kitty's Back Born to Run Dancing in the Dark American Land
November 25 / Madrid, ESP / Palacio De
Deportes
Notes: Early arrivals to the European opener in Madrid caught Charlie Giordano practicing before the show, getting ready
for his E Street Band debut. Despite that pre-show entertainment, it was a restless crowd that had to wait until 9:50 for
the concert to start -- they kept themselves occupied by doing the wave and chanting "Bruce! Bruce! Bruce!" Springsteen himself
appeared to be suffering from a cold, but he fed off the energy of the wild audience, which sang and shouted along from the
beginning. Ross Miller describes the scene: "There were 200 pit bands issued, but no lottery; instead, just the mad dash of
old, and a check for wristbands at the pit gate. By the mid-point of the show there must have been 600 crazies in there. As
is typical for Spain and Italy, far more respect, sobriety, sense of community and love than on Bruce's U.S. home turf, reminiscent
of the passion that used to be a part of the pre-1984 North American fan behavior. Exactly why Europe is the essential Bruce
experience." "Darkness" was a standout, and "Thunder Road" was played by request -- a request that was echoed by 20,000 people
calling for it, too. "Okay, okay, we got it!" said Bruce. A strong showing from Clarence, and Dan Federici wasn't the only
bandmember missing -- Patti Scialfa was absent, too. Surprisingly, they kept "Tunnel of Love" in the set anyway, with Soozie
Tyrell stepping up. And as for Giordano, Miller tells us, "There were points where he was clearly in awe. To paraphrase the
old Oldsmobile ad: this isn't your father's Seeger Sessions show." -Photograph by Enric Nonell / fotofotos.com
Setlist: Radio Nowhere No Surrender Lonesome Day Gypsy Biker Magic Reason
to Believe Darkness on the Edge of Town Candy's Room She's the One Livin' in the Future The Promised Land I'll
Work For Your Love Tunnel of Love Working on the Highway Devil's Arcade The Rising Last to Die Long Walk
Home Badlands * * * Girls in Their Summer Clothes Thunder Road Born to Run Dancing in the Dark American Land
November 19 / Boston, MA / TD Banknorth Garden Notes:
Amid rumors that Danny Federici's
health would prevent him from making the trip to Europe next week, Bruce and the E Street Band closed out their North American
leg with a stunner of a show in Boston. And while we believe strongly in respecting his privacy, we simply can't talk about
this night without talking about Danny. His talent, the band's love for the man, the crowd's love for the man -- all
were there for all to see. This show was all about Dan Federici. The setlist (and oh, what a setlist) was clearly crafted
with him in mind. There were the two tour premieres -- "This Hard Land" giving Danny a stretched-out solo spot, "Tenth
Avenue Freeze-out" recalling the formation of the E Street Band, of which Danny was of course a founding member (easy
to forget that only he, Clarence, and Garry go all the way back). And then the three songs from those Wild &
Innocent early days -- reprising the "4th of July, Asbury Park (Sandy)"/"E Street Shuffle" two-fer from Albany, and adding
"Kitty's Back" for good measure -- all of which gave Danny chances to shine.
Federici's "Kitty" solo, at Bruce's urging,
went on and on. "Sandy," too, was a spotlight moment, with Danny strapping on the accordion; bringing him front and center,
Bruce called out, "Ladies and Gentlemen, winner of the Ted Mack Amateur Hour!" Tossed-off ad lib that it was, that remains
a significant moment to me as I think back on the show today. It was a night of good humor. It was a night of musicianship,
of history, of shared history, and of the joy of making music together in the present moment. It wasn't a maudlin night.
There was no overt reference to any leave of absence, certainly no mention of any health issues. What do you do in the face
of those things instead? You get up there and play. And they played their hearts out. "Darkness" was ablaze. The whacked-out
funk coda of "E Street Shuffle" was a killer, with Max going nuts on the drums. "The Rising" was more determined than I've
heard it since '03. "Tenth Avenue Freeze-out" was a blast, and wicked tight, even with a way-loose Peter Wolf up there shakin'
it with Patti.
And what else do you do? If you're Nils,
you spend as much time as you can up on the organ riser, playing shoulder-to-shoulder. If you're Bruce, you head over to Danny
during the bows at show's end and throw your arm around him, with a look on your face that says "godammit, I know we said
we weren't going to talk about this tonight, but you can't stop me from doing this," and you bring him to the center of the
pack, and he takes a bow of his own. And if you're the crowd, you chant "Danny! Danny! Danny!" It was as spontaneous as the "E Street Band"
chant at Madison Square Garden on July 1, 2000 -- with fewer dry eyes, I imagine, both onstage and off. -Photograph by A.M. Saddler
Setlist: Radio Nowhere Night Lonesome
Day Gypsy Biker Magic Reason to Believe Darkness on the Edge of Town Candy's Room She's the One Livin'
in the Future This Hard Land 4th of July, Asbury Park (Sandy) The E Street Shuffle Working on the Highway Devil's
Arcade The Rising Last to Die Long Walk Home Badlands * * * Girls in Their Summer Clothes Tenth Avenue Freeze-out Kitty's Back Born to
Run American Land
November
18 / Boston, MA / TD Banknorth Garden Notes: The first night in Boston, "Home of the World Champion..." Bruce began,
putting on a dejected face as the crowd went nuts for the Sox, "ah, you know the rest." That was his only sullen moment of
the night -- it was a high-energy show start to finish, with a typically great Beantown crowd to match. "She's the One" was especially intense, Bruce channeling
his energy at the end into a high toss of his guitar to tech Kevin -- right over Garry's head. Good thing Kevin's got hands,
and good thing Garry's not a couple inches taller. A special moment came a few songs later, before "I'll Work For Your Love":
"I'm kind of like a captain of a ship," said Bruce, "We've got a little proposal going on!" At the front of the pit was a
guy with a sign that read "We met 15 years ago, I'm proposing tonight!" The lucky lady was held aloft during the song as Bruce
blessed their union. "Alright, kids, remember... you gotta work, work!" (And to stress that point, he went into "Tunnel of
Love" next.) He also added, "Next time try a candlelight dinner, bottle of wine, the usual." Clarence was spot-on all night,
especially on... wait for it... yep, "Jungleland," in the encore. The Big Man nailed his spotlight moment. The only real curveball
in the set, "Jungleland" went out to Bruce's friend Bob Coles, as well as a whole host of "mamas" in the crowd, including
Max's mom and George Travis's too, who's 93! Also in the house, hometown fave -- and frequent Springsteen guest, though not
tonight -- Peter Wolf. Maybe tomorrow?
Setlist: Radio Nowhere No Surrender Lonesome
Day Gypsy Biker Magic Reason to Believe Jackson Cage She's the One Livin' in the Future The Promised
Land I'll Work For Your Love Tunnel of Love Working on the Highway Devil's Arcade The Rising Last to Die Long
Walk Home Badlands * * * Girls in Their Summer Clothes Jungleland Born to Run Dancing in the Dark American Land
November 15 / Albany, NY / Times Union Center
Notes: A stunner of a setlist, and a
start-to-finish smoking performance to match. First of all, the "Reason to Believe"/"She's the One" sandwich was a double-decker,
with both "Darkness on the Edge of Town" and "Candy's Room" in the middle -- cool on paper, and incredibly powerful in performance.
But it wasn't the jaw-dropper of the set. For that, we direct your attention forward a few songs, to what Bruce called a "double
shot from Wild & Innocent!" It was a passionate "4th of July, Asbury Park (Sandy)" into "The E Street Shuffle,"
both rarities in their own right, and back-to-back like this we're talking hen's teeth. This was a crowd that appreciated what they were getting, too. For "Sandy,"
it was spotlight on Danny Federici, literally -- Phantom Dan was bathed in light as he stepped out from behind the organ for
some beautiful accordion playing. The last E Street Band performance of "Sandy" was at Giants Stadium in 2003, but for "E
Street Shuffle," you've got to go back to the end of the reunion tour, July 1, 2000.
In the encore, Springsteen dedicated "Thunder
Road" to Matty Delia, "one of my best friends in the whole world," on his 53rd birthday. And after the spirited crowd held
their own, singing out the beginning of the song up to "that's alright with me," Bruce stepped back to the mic and said, "Me
too!" No Patti tonight, but we hear she'll be back for Boston. -Photographs by A.M. Saddler
Setlist: Radio Nowhere No Surrender Lonesome
Day Gypsy Biker Magic Reason to Believe Darkness on the Edge of Town Candy's Room She's the One Livin'
in the Future The Promised Land I'll Work For Your Love 4th of July, Asbury Park (Sandy) E Street Shuffle Devil's
Arcade The Rising Last to Die Long Walk Home Badlands * * * Girls in Their Summer Clothes Thunder Road Born to Run Dancing in the Dark American
Land
November 14 / Pittsburgh, PA / Mellon
Arena
Notes: "Patti's not here tonight," Springsteen
told the Pittsburgh crowd after "The Promised Land," "but we've got a special guest: Joe Grushecky, the man who singlehandedly
brought sexy back to Pittsburgh." You mean that wasn't Justin Timberlake? Yes, a couple weeks after Light of Day 8 came and
went without the traditional Springsteen appearance, the two singer/songwriters reunited in Grushecky's hometown for a song
they wrote together, the tour premiere of "Code of Silence." It was a little rough -- Bruce's recording of the song
is on Essential, Joe's is on his own A Good Life (with Bruce guesting), and tonight's sounded at times like
the two crashed into each other -- but it was good to get, and you can be sure the crowd appreciated seeing their favorite
son up there.
"Backstreets" was played by request, an audible
in place of "I'll Work For Your Love." And another impromptu Steeltown special kicked off the encore: Springsteen was strumming
the chords to "Girls in Their Summer Clothes" as usual, when he got an idea: "Let's do something we haven't done." There was
a change of guitars and a quick conference with the band, essentially letting them know he'd be going it alone. "We haven't
done a lot of acoustic stuff on this tour," he told the crowd, going into a solo reading of "Youngstown" -- cheers
at "Monogahela Valley," of course, and kudos to the lighting guys for thinking fast and bringing up the red light for this
one. Five more songs followed, including a "Kitty's Back" that just keeps getting better (if that's possible), and closing the show, those listening carefully heard Springsteen
welcoming the Grusheckys to these shores in "American Land." -Photographs by Guy Aceto
Setlist: Radio Nowhere The Ties
That Bind Lonesome Day Gypsy Biker Magic Reason to Believe Night She's the One Livin' in the Future The
Promised Land Code of Silence Backstreets Working on the Highway Devil's Arcade The Rising Last to Die Long
Walk Home Badlands * * * Youngstown Girls in Their Summer Clothes Kitty's Back Born to Run Dancing in the Dark American Land
November 12 / Washington DC / Verizon
Center
Notes: While tour premieres were initially on our minds for this Veterans Day show, what seemed to be on Bruce's mind
were the guys in wheelchairs sitting beside the stage -- which quickly put everything in perspective. Before the show, Bruce,
Patti, and Evan Springsteen spent the afternoon visiting wounded soldiers at Walter Reed Army Medical Center, and a contingent from the hospital came out for the concert. Springsteen dedicated "The Promised Land" to them, to "honor
their service and their sacrifice. Let's hear it for them!" He also made a point of playing to stage left regularly over the
course of the night, to make sure they were getting a good night out. One of the servicemen had his young son with him, decked
out in a Magic T-shirt that Bruce had signed before the show, and as if the kid weren't already having the time of
his life, Bruce snuck over and gave him his harmonica at the end of the night. So okay, we can live without our daydreamed
performance of "Shut Out the Light."
And it's not as if related themes are ever
lacking in the Magic show. "Gypsy Biker" was a hot one, "Devil's Arcade" was sent out "for Veterans Day," and before
"Last to Die," Springsteen hollered "This is for John!" Surely that was John Kerry, the source of the song's title, who was
indeed in the house. Before "Livin' in the Future," Bruce sang the praises of Washington DC, in his own way: "It's always
an inspiring place to come to see the Washington Monument, the Lincoln Memorial... it brings you back to the things the country
was founded on. There's also something about the city that reminds me of the handle on the screwdriver."
Song highlights included two from The
River: "The Ties That Bind" and the second tour performance of "Jackson Cage." They owned "Jackson Cage" -- with Garry
Tallent the majority shareholder -- and the transition from there to a high-energy "She's the One" was flawless. "Thunder
Road" took the encore wild card slot, and "American Land" was particularly rousing tonight -- hell, Garry was doing a jig!
-- both a celebratory and a clear-eyed look at the American Way here in our nation's capitol. And with the lyrics on the screen,
even the lobbyists were singing along. Except for maybe that one line toward the end. -Photograph by Kurt O'Neill
Setlist: Radio Nowhere The Ties
That Bind Lonesome Day Gypsy Biker Magic Reason to Believe Jackson Cage She's the One Livin' in the Future The
Promised Land Town Called Heartbreak Backstreets Working on the Highway Devil's Arcade The Rising Last to
Die Long Walk Home Badlands * * * Girls in Their Summer Clothes Thunder Road Born to Run Dancing in the Dark American Land
November 11 / Washington DC / Verizon
Center
Notes: "So glad to be in your wicked -- I mean, your beautiful city tonight!" Bruce said at this first of two shows in
our nation's capital. He also took note of the setting before "Magic," after talking about living in an age where lies can
be twisted into truth and vice versa: "Hey, this is where it happens! This is the City of Magic!" Not only location but also
the occasion was clearly on Bruce's mind tonight, with a resonant "No Surrender," "The Promised Land" going out to the good
people from the Bethesda Naval Hospital, and a particularly strong "Devil's Arcade" dedicated to "my good friend Bobby Muller,
and for Veteran's Day." (Muller is president of Veterans for America, formerly the Vietnam Veterans of America for whom Springsteen played a legendary benefit back in '81) A big highlight was
the second-ever performance of "I'll Work For Your Love" into "Tunnel of Love," with blistering soloing from Nils.
Things really got cooking in the encore, which
stretched out to six songs with a knock-out double-shot of early material: the tour premiere of "Growin' Up," into
an incredible "Kitty's Back." Cousin Frank from the Sessions Band joined in on acoustic guitar and vocals for the show-closing
"American Land." Hope they could hear that one on the Hill... -Photographs by Guy Aceto
Setlist: Radio Nowhere No Surrender Lonesome
Day Gypsy Biker Magic Reason to Believe Night She's the One Livin' in the Future The Promised Land I'll
Work For Your Love Tunnel of Love Working on the Highway Devil's Arcade The Rising Last to Die Long Walk
Home Badlands * * * Girls in Their Summer Clothes Growin' Up Kitty's Back Born to Run Dancing in the Dark American Land
November 9 / New York, NY / Chelsea Piers
Notes: The fifth annual Joe Torre Safe at Home Foundation benefit featured Bob Costas as Master of Ceremonies, a whole host of Yankees in the crowd, Billy Crystal cracking wise, and
Bruce Springsteen batting clean-up with a rollicking half-hour acoustic set. Saying that he had been a Yankee fan since he
was a kid, Bruce offered a riff on the Beverly Hillbillies theme about Torre heading for Beverly (Hills, that is...)
which went right into a hard-strummed take on the Rivieras' "California Sun," with modified lyrics also in honor of Torre:
"I'm goin' to where the palm trees are swayin'/Nobody gonna second-guess just who I'm playin'!" [Watch video here.] After "Working on the Highway" it was a new original, written for the occasion in the spirit of "I'm Turning Into Elvis"
and "Freehold," call this one "Yankees Win." Bruce joked it would be the first cut on his next album, and the song got a little
ribald as he described Patti in a Yankee hat and pinstripes... Everyone got a chuckle. Solo takes on "Thunder Road," "Bobby
Jean" (with Bruce struggling to find the melody) and "Dancing in the Dark" followed. Finally, he asked Patti and Bernie Williams
to join him. Patti grabbed a tambourine, Bernie a guitar (and he knows his way around it, for sure). Bruce made a joke about
Bernie getting too old for baseball -- but he's just a baby if he goes into the music business at this point. They let it
go with a great rendition of "Glory Days," the song about not crying over what you had and what you lost. Bernie did a wonderful
jazz interlude during the middle of the song. Patti and Bruce sang together, Bernie and Bruce sang together, and everyone
just had grins on their faces. Looking around the room, there were Bob Costas and Joe Torre were singing along, Bernie's kids
excited that he's up on stage doing a song with Bruce Springsteen, and just a lot of people happy to get this close to Bruce
in such an intimate environment and watch him enjoy himself. This was not a job tonight. This was a favor for a good friend,
for a good cause, and it was all wrapped up in Yankee pinstripes. I doubt if next year's benefit will have this same flavor,
but these last licks were good. -Photograph and reporting by Pam Farquhar
Setlist: California Sun Working on the Highway Yankees Win Thunder
Road Bobby Jean Dancing in the Dark Glory Days
November 7 / New York, NY / Town Hall
Notes: In the midst of the E Street
Band tour, Springsteen went it alone tonight for the Stand Up for Heroes benefit, playing three songs on acoustic guitar and harmonica. On a bill that also included
Robin Williams, Lewis Black, and Brian Regan -- this was a New York Comedy Festival event -- Bruce deferred to the funnymen
and went on first. Which was a surprise to many in the crowd -- when's the last time Springsteen was an opening act? Emcee
Conan O'Brien introduced him as "the man who stole my drummer," and Bruce corrected him, "No, Conan, I believe you
stole my drummer." In keeping with the Comedy Festival setting, Bruce kept it pretty light and offered a corny joke
to intro to each song, including the classic "Interrupting Cow" knock-knock joke. But in keeping with the beneficiary of the
event (the Bob Woodruff Family Fund, which assists returning vets injured in combat, particularly those suffering from brain trauma) and playing to a good number
of soldiers in the front rows, Springsteen dedicated a very apropos "Devil's Arcade" to the veterans and their families. This
was the first acoustic version of the song, Bruce adding some "Promised Land"-style percussive effects on the guitar where
Max would normally be doing his thing. On either side, he opened with "This Hard Land," and closed with "Thunder Road." No
"Fire" duet with Robin Williams, unfortunately. But Bruce wasn't quite done yet -- after his performance, he rolled onstage
on his '91 Harley, which was auctioned off and raised north of $80,000 for the cause.
Setlist: This Hard Land Devil's Arcade Thunder Road

November 5 / Auburn Hills, MI / The Palace
Notes: Finally, one of the M.I.A. Magic
songs joined the party, as "I'll Work For Your Love" debuted in Detroit, paired nicely with "Tunnel of Love." Earlier
in the day at the Palace, Springsteen and the band also soundchecked "You'll Be Comin' Down," so maybe that holdout will soon
get its due as well. "Jackson Cage," last played in August 2003 (Pittsburgh), also had its Magic premiere, setlisted
to be the second song but Bruce switched it to the post-"Reason" slot. A third new addition to the set was a total audible,
not played since September 2003 (Hartford) or even soundchecked, and we owe it to a six-year-old named Noah who was very into
the show. "This kid's been rockin' all night!" Bruce said, showing the crowd his sign, (which even gets points for politeness),
and obliged with a rockin' "Ramrod." That took the place of "Kitty's Back" on the set, but we haven't heard anyone
complain. Certainly not Noah, who was given quite a few tangible souvenirs from the band as well. Here's lookin' at you, kid.
Elder folks in the crowd were Martha Reeves, Dave Marsh with his mom, and our pal Gary Graff, whose Detroit review is here. -Concert photograph by A.M. Saddler
Setlist: Radio Nowhere Night Lonesome
Day Gypsy Biker Magic Reason to Believe Jackson Cage She's the One Livin' in the Future The Promised
Land I'll Work For Your Love Tunnel of Love Working on the Highway Devil's Arcade The Rising Last to Die Long
Walk Home Badlands * * * Girls in Their Summer Clothes Ramrod Born to Run Dancing in the Dark American Land
November 4 / Cleveland, OH / Quicken Loans Arena
Notes: A knockout performance for Cleveland, with
a setlist to match. Every E Street album was represented in the show tonight with the exception of The River -- and
if you count River-era B-side "Be True," which had its tour premiere, it was a sweep. Representing Greetings
was another tour debut, "It's Hard to Be a Saint in the City." Paired with "She's the One," it was just massive. "Tunnel"
represented Tunnel, and from The Wild, the Innocent & the E Street Shuffle in the encore, it was another
stunning "Kitty's Back." All that, and they still had room for "woman power," as Bruce put it, with Patti spotlighted on "Town
Called Heartbreak" as she returned to the fold after her absence in St. Paul. Oh, and speaking of woman power, Bruce referenced
the Lynn Goldsmith photography exhibit down the road at the Rock and Roll Hall of Fame: "I hope they don't have pictures of
me with my pants down!" In the crowd: The Raspberries' Eric Carmen, and retired longtime Plain Dealer rock critic (and
huge Springsteen fan) Jane Scott. -Photograph by Guy
Aceto
Setlist: Radio Nowhere Night Lonesome
Day Gypsy Biker Magic Reason to Believe It's Hard to Be a Saint in the City She's the One Livin' in the
Future The Promised Land Town Called Heartbreak Tunnel of Love Be True Devil's Arcade The Rising Last
to Die Long Walk Home Badlands * * * Girls in Their Summer Clothes Kitty's Back Born to Run Dancing in the Dark American Land
November 2 / St. Paul, MN / Xcel Energy Center
Notes: A fun, high-energy show for a great crowd
in the Twin Cities, which went nuts when necessary and quiet when called for (and it was called for, Bruce shushing the crowd
a few times for the "Reason to Believe" harp intro). A bunch of teenagers were right up front, and Springsteen seemed to be
having a great time playing to them. Basically, it was a classic example of what Bruce means when he talks about the crowd
and performer being "in concert": He was into the crowd, they were into him, and they just fed off each other. Setlist-wise,
nothing to raise eyebrows, no tour premieres... but "Incident on 57th Street" was an amazing performance, they played the
pants off it. Garry Tallent in particular was a wonder to behold as the song's solid bedrock. Going from "Incident" into the
all-out goofiness of "Working on the Highway" was the epitome of "from the sublime to the ridiculous"... but it worked. Garry
even stepped up for backing vocals on "Highway" -- go Funky!
Other notables: "Gypsy Biker" was an early stand-out, as was "Reason."
No Patti tonight, so Soozie once again took over the "Magic" duet. And "Thunder Road" still has life in it yet, played by
"special request" -- with Bruce wielding the Fender Esquire from there into "Born to Run." Kudos to management and security
at the Xcel Center for a phenomenal job with the GA process; expecially considering there were 1,135 fans wristbanded for
the lottery, the entry was organized, orderly, safe and smooth. That certainly didn't hurt the vibe in the arena. "Thank you,
Twin Cities. You've been a fantastic audience," Bruce said at the close of the show, and he offered a benediction: "Long live
happiness!" And as the lights came up and fans read what was on the screens, there was one more thing to be happy about: "Bruce
returns March 16. Tickets on sale November 10 at 10 a.m." -Photographs
by Alan Chitlik
Setlist: Radio Nowhere No Surrender Lonesome
Day Gypsy Biker Magic Reason to Believe Night She's the One Livin' in the Future The Promised Land Your
Own Worst Enemy Incident on 57th Street Working on the Highway Devil's Arcade The Rising Last to Die Long
Walk Home Badlands * * * Girls in Their Summer Clothes Thunder Road Born to Run Dancing in the Dark American Land

October 30 / Los Angeles, CA / Sports Arena
Notes: A spooooky beginning to this All Hallow's
Eve Eve show, with cauldrons and jack o'lanterns on the stage, a touch of smoke... Gotta love Bruce's sense of history, not
to mention sense of fun, as 27 years since his first of two Halloween shows at this very venue (10/31/80, 10/31//84), he once
again came on stage in a coffin. A half-dozen crew members dressed as zombies served as pallbearers, Bruce's hand rose up
to take his guitar, the coffin tipped forward and off we went into "Radio Nowhere." Cool, cool, cool. [Watch the video
clip at brucespringsteen.net.] And not just the start -- it was another great show for L.A. all around, with the band in incredible form and Bruce
in particularly high spirits. In the main set, three songs not played the night before: "The Ties That Bind," "Night," and
"Tunnel of Love." They've really got "Tunnel" figured out now -- this was a killer version with Nils just all over the solos,
and impressive vocals from Patti. "Devil's Arcade" was Max's high point of the night, and he also added lots of fun extra
fills on "Girls in Their Summer Clothes" (a song also worth mentioning for Clarence's spot-on solo). After "Girls" came the
biggie of the night, which Bruce called the "pre-Halloween treat for Los Angeles": "Kitty's Back." Yes, the cat came
back, and it was perfect, Bruce just nailing the guitar intro, and the whole band completely in the groove. Quite a rarity
for any crowd, let alone one on the West coast. They ate it up, too. As one longtime concert-goer put it, "It was 1975-good.
How can they play a song like that once every ten years and absolutely nail it?" Maybe just a little Halloween Magic.
Setlist: Radio Nowhere The Ties
That Bind Lonesome Day Gypsy Biker Magic Reason to Believe Night She's the One Livin' in the Future The
Promised Land Town Called Heartbreak Tunnel of Love Working on the Highway Devil's Arcade The Rising Last
to Die Long Walk Home Badlands * * * Girls in Their Summer Clothes Kitty's Back Born to Run Dancing in the Dark American Land
October 29 / Los Angeles, CA / Sports Arena
Notes: The wildfires may not have reached the L.A. Sports Arena, but the heat sure did. On the figurative side, it was a powerful
performance that had the usual staid, laid-back L.A. crowd on their feet and putting their cell phones away. "I love the Sports
Arena!" hollered Bruce, and though the venue has seen better days, returning to the E Street Band's old '80s haunt rather
than the cavernous newfangled Staples Center surely had something to do with the energy -- "very old school!" as he put it.
On the literal side, also very old school, it was hot. As in fainting hot. Springsteen brought water to the
pit from his own supply, and soon water bottles were being distributed, but a couple folks still went down. "We only lost
one, right?" Bruce asked toward the end of the show. "Oh, we lost two?..."
"Gypsy Biker," with its screaming guitars, was awe-inspiring, and
"Reason to Believe" took the set to another level -- followed by "Candy's Room" and "She's the One," and the place was jumping,
no one in their seats. There was a great reaction to new material from Magic as well, which Bruce referred to as "our
smash hit album." There were screams for "Girls in Their Summer Clothes," as Bruce sent it out to "all the California Girls!"
A terrific story preceded "Thundercrack." Bruce talked about the band's first visit to L.A., for the 1973 Ahmanson Theater
CBS showcase -- notable because it was the first time any member of the E Street Band had ever been on an airplane. He introduced
the song as "our big showstopper back then," adding that by the time they'd played it the show had pretty much stopped (to
visible laughter from Clarence and Danny). He didn't play "Haunted House" with a mention of his first gigs at the Sports Arena on the River tour exactly 27 years ago... but there's always tonight! -Photographs by Margaret Mish
Setlist: Radio Nowhere No Surrender Lonesome
Day Gypsy Biker Magic Reason to Believe Candy's Room She's the One Livin' in the Future The Promised
Land Town Called Heartbreak Backstreets Working on the Highway Devil's Arcade The Rising Last to Die Long
Walk Home Badlands * * * Girls in Their Summer Clothes Thundercrack Born to Run Dancing in the Dark American Land
October 26 / Oakland, CA / Oracle Arena Notes: This was originally the only Bay Area show on the schedule, so it's been long-sold out, and the energy
in the place was high -- even before the show started, with spontaneous cheers arising before the lights went down. As one
fan puts it, "Church was back in session tonight... another great show, but this time with the appropriate feedback from the
crowd!" Six songs not played the night before, including "Tunnel of Love" and the debut of "Working on the Highway,"
both of which were setlisted but not played on night one; plus as the tour premieres of "Two Hearts" (complete with
the "It Takes Two" outro) and "Racing in the Street." "Working" was a whole lot of fun, feeling fresh and recalling
more its closing slot on the '92/93 tour than its place as a semi-disappointing post-"Tenth" wildcard on the reunion tour.
It's good to see Bruce remember that he's got other songs in the canon that can do the job of "Darlington" (and of course
this is still just the top of the iceberg). "Racing in the Street" brought the energy level down a bit -- "I've seen 'Racing'
build at the end to have crowd coming to its feet," says another fan, "but it didn't do that tonight" -- but it was still
absolutely gorgeous.
The only one that didn't go over, sadly, was "Thundercrack." Bruce
introduced it by mentioning The Matrix, where he played with Steel Mill when he was just 19... but since he played relatively few West Coast shows in the early
'70s, there just wasn't that much familiarity with this song. After his cue to sing along at the beginning was met with bewilderment
by the crowd, Bruce said, "That was terrible!" But of course after the song builds, and from there goes into "Born to Run,"
"Dancing in the Dark," and "American Land," any terribleness on anyone's part was soon forgotten. -Thanks to Brucebase for the image
Setlist: Radio Nowhere No Surrender Lonesome
Day Gypsy Biker Magic Reason to Believe Two Hearts She's the One Livin' in the Future The Promised Land Tunnel
of Love Racing in the Street Working on the Highway Devil's Arcade The Rising Last to Die Long Walk Home Badlands *
* * Girls in Their Summer Clothes Thundercrack Born
to Run Dancing in the Dark American Land
October 25 / Oakland, CA / Oracle Arena
Notes: The first Magic show on the
West Coast, and a solid one for the Bay Area, though there was the typical drop in audience effusiveness. Not an indifferent
or disrespectful crowd, just to be clear -- fewer people seemed to be taking bathroom breaks or looking for excuses to sit
than elsewhere -- just less demonstrative. A thunderous performance of "Backstreets" was met with relatively little reaction,
and there seemed to be less audience familiarity with the new material.
Of course, Bruce having to work hard to get the crowd into
it ain't always a bad thing. "Adam Raised a Cain" absolutely killed, with a screaming lead from Bruce, and he eventually got
everyone singing along on "Girls in Their Summer Clothes" in the encore. "Your Own Worst Enemy" came out for just the third
time, and it was the only moment when the band, rather than the crowd, seemed tentative; Bruce turned up the bandleader juice,
though, and it picked up as it went along. "Thunder Road" in the encore again came across as rejuvenated, a song Springsteen
wants to play. And the crowd lapped up older material like this -- when he came to the edge of the stage with that
old battered Esquire, letting the front row bang away at it to "make it talk," you could throw any thoughts about the crowd
being reserved out the window. -Photographs
by Jere Visalli (top), Margaret Kay Photography (bottom)
Setlist: Radio Nowhere The Ties
That Bind Lonesome Day Gypsy Biker Magic Reason to Believe Adam Raised a Cain She's the One Livin' in
the Future The Promised Land Town Called Heartbreak Backstreets Your Own Worst Enemy Devil's Arcade The
Rising Last to Die Long Walk Home Badlands * * * Girls in Their Summer Clothes Thunder Road Born to Run Dancing in the Dark American Land
October 22 / Chicago, IL / United Center Notes: What was that I said yesterday about First Night Syndrome? Not that
Chicago 1 was at all shabby... but this second show knocked it out of the park. (Whether Wrigley or U.S. Cellular Field, we'll
leave that to you). Six songs not played the night before, including three tour premieres. "Tunnel of Love," always
a thrill to get, featured Patti, who was back on stage tonight, and white-hot guitar work from Nils -- on his second solo,
he even played with his teeth. That was the first of a non-stop three pack, going right into a fine "Spirit in the
Night" with "Darlington County" immediately following, featuring Clarence and Soozie really hamming it up. "Devil's Arcade"
was dedicated to Tom Brokaw.
Clearly about to play "Girls in Their Summer Clothes,"
Springsteen called quite an audible to lead off the encore instead. The change of heart came from seeing some kids right up
front in the pit: "There are a lot of young folks up here tonight," he said, switching guitars and calling out (an un-soundchecked)
"Thunder Road" to the band. "Last time we played this was five years ago... but we played it for 35 years before that,
so maybe it'll balance out." It did -- well-rested, with Bruce clearly wanting to play it rather than feeling obligated,
it was the best "Thunder Road" in recent memory. The crowd lapped it up. No Double Thunder, though -- Bruce dropped "Thundercrack"
from its usual slot, keeping the encore to just four songs. A very different experience from the second night in Philadelphia
-- while Philly 2 was all about intensity, tonight in Chicago was very fun and loose -- but they're evenly matched as the
best of the tour so far.
Setlist: Radio Nowhere Prove
It All Night Lonesome Day Gypsy Biker Magic Reason to Believe Candy's Room She's the One Livin' in the
Future The Promised Land Tunnel of Love Spirit in the Night Darlington County Devil's Arcade The Rising Last
to Die Long Walk Home Badlands * * * Thunder Road Born to Run Dancing in the Dark American Land
October 21 / Chicago, IL / United Center
Notes: Heading into tonight's show, the first of two in Chi-town, a friend of mine (who
can't make it for show #2) was concerned about "First Night Syndrome" -- in which the first of a two-night stand gets a straight
"model A" setlist, with all the rarities saved for night two. No worries this time. Who knows, Bruce may go completely off
the map tomorrow, but Chicago 1 got a nice batch of wild cards. "No Surrender" had only its third tour airing, "Adam Raised
a Cain" was the meat in that always-tasty "Reason"/"She's the One" sandwich, and check out the post-"Promised Land" three-pack:
"Your Own Worst Enemy" (played tonight for the second time ever), "Backstreets," and "Cadillac Ranch."
Patti was absent tonight, and Bruce dedicated "Girls in
Their Summer Clothes" to her: "Patti sends her regards... it's a kid thing, that's all I can tell ya!" The band's other redhead,
Soozie Tyrell, came downstage from behind the piano to take Patti's spot, even dueting with Bruce on "Magic."
Introducing "Thundercrack" as his original showstopper, Bruce
said that the song "goes all the way back to the Quiet Knight days." The Quiet Knight was a Chicago club that no longer exists
-- Springsteen played a five-night stand there, opening for The Persuasions, back in 1973. Sensing that the reference might not mean much to some in the crowd, Bruce
added, "that was way back before the Fire." -Photographs
by A.M. Saddler
Setlist: Radio Nowhere No Surrender Lonesome
Day Gypsy Biker Magic Reason to Believe Adam Raised a Cain She's the One Livin' in the Future The Promised
Land Your Own Worst Enemy Backstreets Cadillac Ranch Devil's Arcade The Rising Last to Die Long Walk
Home Badlands * * * Girls
in Their Summer Clothes Thundercrack Born to Run Dancing in the Dark American Land
October 18 / New York, NY / Madison Square Garden
Notes: Night two at the Garden, with six songs not played last night, including the tour premieres
of "Meeting Across the River" and "Jungleland" (played back-to-back, natch). Springsteen introduced the pair
with a dedication to the late Peter Boyle: "An old friend passed away a while back -- we met him when we first came to New
York City... Today would have been his birthday." "Meeting" featured just Bruce, Roy on piano, and Garry on stand-up bass.
A trainspotting note: the "two grand" practically sitting in the singer's pocket is now "three grand" -- chalk it up to inflation.
On "Jungleland," Clarence did himself very proud with the sax solo, and his Boss was smiling ear-to-ear. Other rarities
in the set were "Tougher Than the Rest" and "You Can Look." While Bruce always wants the asses out of the seats, tonight he
was noticeably working hard to make sure everyone in the crowd was into it. He was particularly into it himself on that ever-intense
three-pack from "Reason to Believe" through "She's the One," this time with "Candy's Room" between. Banter included hawking
of new wares -- "We've got a new line of E Street Band sexual toys. What we use in the comfort of our own home, you can use
in the comfort of your own home" (strangely, the merch tables seemed to be sold out after the show) -- as well as more playing
on the rivalry between New York and New Jersey. Not forgetting where he was, though, he came out for the encore after a rare
costume change, wearing a black "New York City" T-shirt. Notable guests in the crowd included Howard Stern and his staff,
Bette Midler, and Caroline Kennedy. Notable guests onstage were five members of the Sessions Band, joining old bandmates
Soozie, Patti, Bruce and the rest for the show-closing "American Land": Lisa Lowell on vocals, Jeremy Chatzky on bass, Larry
Eagle on percussion, Charlie Giordano at Roy's piano (whlle the Professor played accordion), and Greg Liszt on banjo. Photograph by Ruth Barohn
Setlist: Radio Nowhere Night Lonesome
Day Gypsy Biker Magic Reason to Believe Candy's Room She's the One Livin' in the Future The Promised
Land Tougher Than the Rest Meeting Across the River Jungleland You Can Look (But You Better Not Touch) Devil's
Arcade The Rising Last to Die Long Walk Home Badlands * * * Girls in Their Summer Clothes Thundercrack Born to Run Dancing in the Dark American
Land
October 17 / New York, NY / Madison Square Garden
Notes: A solid, fun show for night one at the Garden. Springsteen wasn't in man-on-a-mission
mode, he just seemed to be enjoying himself thoroughly. Not to suggest there wasn't plenty of power on that stage: "Backstreets"
kicked ass, and the "Reason"/"Adam"/"She's the One" trifecta is hard to deny. But there was just more of the relaxed feel
that comes with this kind of "friends and family" show. Spotted in the crowd: James Gandolfini, The Killers, and Bono (who
was rumored for a guest spot, but didn't leave his seat all night).
At the end of "Girls in Their Summer Clothes" Bruce dropped
a Beach Boys reference (besides the song itself), saying, "I wish they all could be New York City girls...." And he cast his
mind back to his early days in the city for "Thundercrack": "This was our show closer when we first played Max's Kansas City.
It was us and the Wailers -- that was a good bill." I'll say. During "Dancing in the Dark," Bruce hollered, "C'mon, Stevie
-- let's dance!" And Steve didn't disappoint, going right into the Monkey. It was that kind of night. -Photographs by A.M. Saddler
Setlist: Radio Nowhere The Ties
That Bind Lonesome Day Gypsy Biker Magic Reason to Believe Adam Raised a Cain She's the One Livin' in
the Future The Promised Land Brilliant Disguise Backstreets Darlington County Devil's Arcade The Rising Last
to Die Long Walk Home Badlands * * * Girls in Their Summer Clothes Thundercrack Born to Run Dancing in the Dark American Land
October 15 / Toronto, ON / Air Canada Centre Notes: For the back half of their two-show jaunt to Canada, Bruce pulled
out more of a standard set. No Arcade Fire repeat performance; that was a one-off for Ottawa only. But the nightly tour debuts
continue -- tonight's was a brisk "For You" -- demonstrating how remarkably on their mettle the band is for this early
in the tour. Another golden oldie, "Incident on 57th Street" was dedicated to Humphrey Kadaner, president of HMV Canada and
a longtime Bruce fan, who personally guaranteed his customers that they'd love Magic or get their money back. This was Kadaner's 87th Springsteen concert. The crowd
at this sold-out show (there were a couple thousand empty seats in Ottawa -- keep kicking yourselves, A.F. fans!) ate it all
up. They clearly knew the new material, and while the more obscure "Thundercrack" didn't seem to ring bells for many, it wound
up being very well received. It didn't hurt that the band absolutely nailed it. No one was complaining nine nights ago in
Philly, but since then the confidence, the pacing, the tightness, have all dramatically improved. Also during that time, "Dancing
in the Dark" (with the house lights staying up, following "Born to Run") has found a consistent home as the night's penultimate
song, replacing "Waitin' on a Sunny Day" for a much stronger encore. This is a show, and a band, that's ready to take Manhattan.
Setlist: Radio Nowhere Night Lonesome
Day Gypsy Biker For You Magic Reason to Believe Candy's Room She's the One Livin' in the Future The
Promised Land Town Called Heartbreak Incident on 57th Street Darlington County Devil's Arcade The Rising Last
to Die Long Walk Home Badlands * * * Girls in Their Summer Clothes Thundercrack Born to Run Dancing in the Dark American Land

October 14 / Ottawa, ON / Scotiabank Place Notes: Four more tour premieres tonight, including "Tougher Than the
Rest" (an audible, in the "Heartbreak"/"Brilliant" slot on the setlist) and "Backstreets." But when the spot-on
debut of "Backstreets" isn't the big story of the night, you know something unusual happened. Yep, in the six-song encore,
Bruce and the E Streeters were joined by members of Arcade Fire, husband-and-wife band co-founders Win Butler and Régine Chassagne. First up was "State Trooper," a song Arcade Fire
has been known to cover, and which the E Street Band hasn't played live since the Born in the U.S.A. tour. After that,
they all went into "Keep the Car Running," a hard-hitting track from Arcade Fire's magnificent Neon Bible. [Stream
the album version here.] We're always hoping for more covers in the set, any chance this one stays in? No? Well, the chances weren't good that it'd
get played in the first place, either... so we can dream. In any case, quite a curveball in the indie band's homeland, and
a cross-generational mingling of talent on par with the R.E.M. team-up of 2004. Update: Actually, upon reflection,
AF's appearance has more in common with Eddie Vedder's, especially in terms of bestowing the ultimate honor in a guest spot:
The E Street Band learns your song, and you peform it with them. Dig the video at Pitchfork.com.
Setlist: Radio Nowhere The Ties
That Bind Lonesome Day Gypsy Biker Magic Reason to Believe Adam Raised a Cain She's the One Livin' in
the Future The Promised Land Tougher Than the Rest Backstreets Darlington County Devil's Arcade The Rising Last
to Die Long Walk Home Badlands * * * Girls in Their Summer Clothes State Trooper Keep the Car Running Born to Run Dancing in the Dark American
Land
October 13 / Rumson, NJ / "Kick Up Your Paws" SPCA Fundraiser Notes:
At Max and Becky Weinberg's benefit
for the Monmouth County SPCA on Saturday night, Springsteen joined the Max Weinberg 7 at the end of their set for six songs. About 500 people were in
attendance for the fundraiser, at the Weinberg's farm. "Terry Magovern was involved in this event, too, and he was looking
forward to it," Max told the Asbury Park Press, "so it's dedicated to him."
Setlist: Seven Nights to Rock 634-5789 From Small Things Kansas City Tenth Avenue Freeze-out Twist
and Shout
October 10 / E. Rutherford, NJ / Continental Airlines Arena Notes:
Springsteen was a man on a mission tonight --
very on, very pumped, and putting on a "this
is how it's done" kind of show at the Meadowlands. This one hit all generations of fans, stretching out to 25 songs, with
no less than four tour premieres. Not the kind of show Jersey often gets, frankly. But for this last scheduled stop in his
home state -- which found Bruce repeating, "let me hear from my homies!" -- he was clearly determined to deliver. Anyone with
VH1 got to see that opening three-fer, a delicious "Night" sandwich... but the big surprises came after the cameras were off.
The tour debut of "Adam Raised a Cain" was shit hot and rocking, to quote a favorite old bootleg title; "Cynthia,"
an audible (and only the second time the E Street Band has done this one live), kicked ass, too. The live debut of "Your
Own Worst Enemy" came with a few false starts, Danny starting things off at first, then a change of guitars... Bruce said
it was a "debate society" up there. Once they got this "never before attempted" Magic song going, though, it was a
success. (Well, to us, anyway. Bruce said afterwards, "That's close!") Strangely, there was a bigger response for this one
than for tonight's "Incident on 57th Street." But the Jersey crowd has its own sensibilities: based on the cheers for the
items on his list of what makes America great, Bruce remarked, "Ah, the Bill of Rights is under Max's hot dogs, that's not
good!" The fourth tour premiere, "You Can Look (But You Better Not Touch)," featured some fiery guitar solos, and a
particularly fine performance from the Big Man: "Hey you! Get out the car!" In the encore, "Thundercrack" was dedicated
to "our good friend Lenny Kaye," the dean of garage rock, Patti Smith Group guitarist, and curator of the original Nuggets.
Kaye was in the pit tonight, and as he said to a friend as "American Land" wrapped up the show: "...and a great time was had
by all."
Setlist: Radio Nowhere Night Lonesome
Day Gypsy Biker Magic Reason to Believe Adam Raised a Cain She's the One Livin' in the Future Cynthia The
Promised Land Town Called Heartbreak Incident on 57th Street Your Own Worst Enemy You Can Look (But You Better
Not Touch) Devil's Arcade The Rising Last to Die Long Walk Home Badlands * * * Girls in Their Summer Clothes Thundercrack Born to Run Dancing
in the Dark American Land
October
9 / E. Rutherford, NJ / Continental Airlines
Arena
Notes: Well, Saturday night in Philly would have been hard to top no matter what happened at this show. Not that Bruce and the E Streeters didn't
try -- the story the setlist doesn't tell is that they were on fire tonight. Can't say the same of the Jersey crowd,
though. "Take 'Reason to Believe,'" says one guy who saw both shows. "In Philly, everyone was singing along. Tonight, they
were sitting on their asses." Later in the show Bruce needled his fellow New Jerseyans, "Philly was much louder than this!"
An old showbiz trick, of course, and the audience went nuts in response... but you got the sense Bruce wasn't really joking.
Some technical difficulties, seemingly with Roy's electric piano, prompted some setlist switch-ups, right in that middle section
where Springsteen still seems to be struggling with what to do. An audibled "Darkness" subbed in for "Town Called Heartbreak,"
and (speaking of heartbreak) the setlisted "Incident"/"Backstreets" and "You Can Look" slots were filled by "Brilliant Disguise"
and "Darlington County." "Darlington" did at least bring some signs of life from the Jersey crowd. And overall, despite those
few obstacles, this was a very strong performance -- very high energy from the band, the guitar solos in "Gypsy Biker" continue
to astound, Bruce even worked some of his "Boogaloo" dance moves into "Dancing in the Dark," having a laugh on himself. Photograph: A.M. Saddler
Setlist: Radio Nowhere No Surrender Lonesome
Day Gypsy Biker Magic Reason to Believe Candy's Room She's the One Livin' in the Future The Promised
Land Darkness on the Edge of Town Brilliant Disguise Darlington County Devil's Arcade The Rising Last to
Die Long Walk Home Badlands * * * Girls in Their Summer Clothes Thundercrack Born to Run Dancing in the Dark American Land
October 6 / Philadelphia, PA / Wachovia Center Notes: Only three shows into the tour, and Bruce and the band have found
that next level. Chalk it up to the locale, to it being the second show of a stand, to their determination to rise up to a
challenge, whatever -- Philly 2 was an electric show. That was signified right out of the the gate with "Night," a real shot
in the arm as the opener, bumping "Radio Nowhere" to the second slot for the first time. In all there were seven songs not
played the previous night, most of which served to elevate this very high-energy show.
"Town Called Heartbreak" was suddenly transformed, with a
full-band treatment and a particularly happening organ intro. That song went right into a true Philly special, "Incident
on 57th Street" -- which they nailed. Odds would have seemed against such a thing this early in a tour.... but
hey, it's Magic. (And "incidentally," that'll teach anyone who decided to hit the bathroom during the Patti song.) Next up
was the wildest one of the night, a completely spontaneous "Cadillac Ranch." A true audible, Bruce impulsively called
for solos left and right, catching Steve in particular off guard, and pushing Soozie to center stage to countrify the song
a bit. In the encore, "Dancing in the Dark" was also ramshackle but right, working really, really well as a replacement
for "Sunny Day."
For all our talk about rehearsals honing the new songs, chops,
transitions, pacing, yadda yadda yadda... all those things have to be there, sure, that's the foundation (and you don't think
"Incident" sounds that good without practice, right?), but this one demonstrated that what really makes for a powerful show
is spontaneity, energy, and a venture or two off the map. Keep keepin' 'em on their toes, Bruce. If Friday was a bit wobbly,
they fixed all those wheels for tonight, clearly the best Magic show yet. Photographs: Jose Rovalino
Setlist: Night Radio
Nowhere Prove It All Night Gypsy Biker Magic Reason to Believe The Ties That Bind She's the One Livin'
in the Future The Promised Land Town Called Heartbreak Incident on 57th Street Cadillac Ranch Devil's Arcade The
Rising Last to Die Long Walk Home Badlands * * * Girls in Their Summer Clothes Thundercrack Born to Run Dancing in the Dark American
Land
October 5 / Philadelphia, PA / Wachovia Center Notes:
Seemingly too early in the tour to blow minds
with any Philly-only specials, Springsteen did at least acknowledge his long history with the city as he introduced "Thundercrack":
"I played this song in Philadelphia before the Liberty Bell got cracked.... in fact, I think this one cracked it!" This being
the second show of the tour proper, it's a relatively stable set so far, with four song swap-outs from opening night: "No Surrender" came in for "Ties That Bind," "Candy's Room" for
"Night," the tour debut of "Brilliant Disguise" for "Town Called Heartbreak," and "My Hometown" for "Darkness."
"Radio Nowhere" into "No Surrender" is a powerful opener, and there's
that three-pack in the middle of the set that just smokes -- tonight it was Reason / Candy / She's the One. Unfortunately
it was soon followed by another three-pack (Brilliant / Hometown / Darlington) that failed to capitalize on the momentum of
a show that was really cooking along up to that point. A hallmark of Springsteen concerts has always been the well-plotted
arc, his steady-handed steering through peaks and valleys of energy and emotion. On this outing so far, with "My Hometown"
dangerously close to being a dead spot tonight (particularly frustrating for anyone who glimpsed "Adam Raised a Cain" as its
alternate on the setlist), he's still working on negotiating those valleys. The peaks are high. Sure, there was a to-be-expected
overall drop in energy from opening night, but Bruce was in fine spirits tonight and Steve was especially animated, and the
band just continues to get better. And they ain't through with Philly yet -- as Bruce said at the end, "See ya tomorrow!" Photograph: A.M. Saddler
Setlist: Radio Nowhere No Surrender Lonesome
Day Gypsy Biker Magic Reason to Believe Candy's Room She's the One Livin' in the Future The Promised
Land Brilliant Disguise My Hometown Darlington County Devil's Arcade The Rising Last to Die Long Walk
Home Badlands * * * Girls
in Their Summer Clothes Thundercrack Born to Run Waitin' on a Sunny Day American Land
October 2 / Hartford, CT / Hartford Civic Center
Notes: The official kick-off of the Magic tour comes on Bruce Springsteen Day, as it
was declared by Connecticut governor Jodi Rell. Bruce and the E Street Band took the Hartford Civic Center stage at 8:25 and
played a two-hour-and-20-minute show, sticking pretty close to the basic set they'd established at last week's warm-up concerts.
But in a full arena, as opposed to the few thousand people they played for at the rehearsals, there's a whole different energy
level in the room, and Bruce and the band upped their game accordingly. A few rough spots, as to be expected on opening night,
and pacing issues remain, but they've been making progress every night, the show just getting better and tighter. In fact,
could this be the best E Street Band opening night yet? Certainly more cylinders firing from the get-go than on the Rising
tour, and with Bruce and the band in great spirits, laughing with each other, it was very loose and comfortable for a first
show. There's a reason for those warm-ups, huh?
The opening barrage is a powerhouse, with "Ties" wickedly tight,
and there was also a particularly powerful three-pack in the middle of the set: "Reason to Believe" into "Night" into "She's
the One." As one fan eloquently told me: "Wowza!" This new arrangement of "Reason" remains the highlight of the show, aside
from hearing the new stuff live.
No additional songs from Magic other than what had been rehearsed;
the only song added to the set tonight was a straightforward "Darkness on the Edge of Town," replacing "Born in the U.S.A."
"Darkness" was an audible, and it seemed like Bruce used it as a place of comfort, to refocus himself and the band after "Town
Called Heartbreak," which is still trying to find its way in terms of connecting with the crowd. In the encore, not many in
the Hartford crowd seemed to recognize "Thundercrack," but "Born to Run" had them going nuts. On the show-closing "American
Land," a trio of gals in the pit were moved to dance an Irish jig.
And what the hell was that thing? Before the band came out,
a crazy musical contraption rose up on stage, looking like it might become part of the magic show (which would almost
top the kitchen sink from the Sessions tour). It disappeared as the concert got underway, but left some fans scratching their
heads. Turns out it was a restored calliope that Bruce had just been given as a gift, he figured he'd show it off. Watch for
Bruce's new tie in Philly! Photographs: A.M. Saddler
Setlist: Radio Nowhere The Ties
That Bind Lonesome Day Gypsy Biker Magic Reason to Believe Night She's the One Livin' in the Future The
Promised Land Town Called Heartbreak Darkness on the Edge of Town Darlington County Devil's Arcade The Rising Last
to Die Long Walk Home Badlands * * * Girls in Their Summer Clothes Thundercrack Born to Run Waitin' on a Sunny Day American Land

September 28 / E. Rutherford, NJ / Continental Airlines Arena Notes:
After the morning's performance on the Today
show in New York, it was across the river to the Jersey side that night, where Bruce told the crowd, "I still got my pajamas
on under my clothes! It was too early!" He welcomed everybody to "the last night of E Street Boot Camp," a 22-song rehearsal
show that got off to a late start, a little past 9. And make no mistake: it was a rehearsal, visible not only in the eeriness
of the draped-off, mostly-empty confines of the building that's usually full for such an occasion, but also in the occasional
cue to one band member or another for more this or that, or in a transition from one song to the next that still needs work.
Loving that "Candy's Room"/"She's the One" pairing, which was back last night -- they just gotta figure out how one gets to
the other.
Overall, though, Springsteen appears to have a show that's
ready for its formal debut on Tuesday in Hartford. Though ready-mades like "Badlands" "Born in the U.S.A.," and "The Promised
Land" (its fourth performance on this day) are returning to duty, this is a new show. The big surprise: a completely new,
full-band arrangement of "Reason to Believe," that borrows equally from the Devils & Dust tour and Z.Z. Top. We'll
call it the "La Grange" arrangement, and even if you didn't like the bullet mic on the D&D tour, we bet you'll
like it here -- less distortion, just a great effect for down-and-dirty rock. Also great to get "The Ties That Bind" in the
second slot. Superb guitar work in spots: Steve Van Zandt emerges to take "Gypsy Biker" to a level it may not have reached
otherwise; and on "Thundercrack," Bruce and Nils reach great heights on those extended instrumental passages. More teamwork:
Bruce and Patti again performed "Town Called Heartbreak," and here, Ms. Scialfa gets a bona fide moment of her own while not
breaking the flow of the show.
Sessions Band players Lisa Lowell and Larry Eagle joined
in on maracas for the show-closing "American Land," after which Bruce hollered, "Boot Camp is complete!" Steven took that
to heart, offering a military-style salute to anyone looking his way. Bruce had one more thing to say before leaving the stage,
as if just remembering himself that this whole thing hasn't even begun yet: "And we'll be back! Just a couple of weeks!" Photographs: A.M. Saddler
Setlist: Radio Nowhere The Ties
That Bind Lonesome Day Gypsy Biker Magic Candy's Room She's the One Livin' in the Future The Promised
Land Town Called Heartbreak Reason to Believe Darlington County Born in the U.S.A. Devil's Arcade The Rising Last
to Die Long Walk Home Badlands * * * Waitin' on a Sunny Day Thundercrack Born to Run American Land
September 28 New York, NY Rockefeller Plaza Notes:
This day started early and ended late for the E Street Band, wrapping up what Bruce called "E Street
Boot Camp" with two performances in New York and New Jersey.
In NYC, they were on stage well before the crack of dawn, doing
a full-half hour set for the Today show soundcheck starting at 6 a.m. Pretty surreal to see those lights and sounds
streaming out of Rockefeller Plaza while much of the city that never sleeps was still sleeping. A good number of die-hards
didn't sleep at all, like Ralph and Joan Trecaso, who came from Cleveland (go Tribe!) and spent all night on 48th Street in
order to get in. "See you in daylight," Bruce said as the band left the outdoor stage at 6:30, "thanks for being so lively
this morning!"
With cameras rolling, the band was back on at 8 a.m. for
"The Promised Land," and then again for the main course between 8:30 and 9, another full half-hour that opened with the day's
third "Promised Land" and closed with a surprise audible of "Night." There in the crowd we could hardly hear a word of the
interview segments, only partly because of all the Brooocing, but the music spoke volumes. Of the several morning shows Bruce
has done in recent years, I'd say that's the most awake and not-in-need-of-coffee we've seen him. And it still wasn't over
-- they were back on at 9:30 for two more songs. Considering most Today concerts are a handful of songs at best, it
was quite a lot of bang for no bucks, for both teevee viewers and those who stayed up all night. Photographs: Debra L. Rothenberg
Setlist: The Promised Land Radio
Nowhere Livin' in the Future My Hometown Long Walk Home * * * The Promised Land * * * The Promised Land Radio
Nowhere Livin' in the Future My Hometown Night * * * Last to Die Long Walk Home
September 25 / Asbury Park, NJ / Convention Hall Notes:
A hot show in Asbury tonight, literally and
figuratively. While the sweltering temperature inside Convention Hall remained brutal for this second of two rehearsal benefits,
everything else was much improved over night one. There's still work to be done, but transitions, pacing, energy level (Bruce's
and the Big Man's in particular), all were noticeably improved -- even the sound was a good deal better, with speakers hung
and a much clearer mix.
"We've got our feet under us," Bruce told the crowd at
the beginning, "we've got our wheels turning a little bit, we didn't fuck up too much... and tonight we're going to change
everything." Which they pretty much did -- still opening with "Radio Nowhere," but now closing the main set with "Badlands"
after "Long Walk Home" and shuffling much in between. An effective move of "Lonesome Day" to the third slot was key to tightening
the set-closing run of songs, from "Born in the U.S.A." on, revealing there heart of the show. It was an inspired rearrangement
of the set that brought the show to a real climax, capped by a streamlined-for-maximum-efficiency "Badlands." Along the way
they worked in five songs not played on night one: in addition to "Born in the U.S.A." and "Badlands," there was "Prove It
All Night," "Magic," and Patti Scialfa's "Town Called Heartbreak," featuring Bruce and Patti sharing vocals.
Bruce talked much more tonight as well, with a much more
developed rap in "Livin' in the Future" and more to say about the new material in general. Despite word that Magic
is not a political record, he made it quite clear that his new songs are of course very much inspired by current events: "Devil's
Arcade" was dedicated to Iraq war veterans; the "Livin' in the Future" rap enumerated "things that we look at as American"
like "hot dogs, hamburgers (from the Windmill!)" and added to the list "illegal wiretapping, torture, voter suppression."
"Magic," he explained, got its title from "the times we're living in: when we can make a lie seem true, and the truth seem
a lie -- so watch out for that magic." "Girls in Their Summer Clothes," moved to kick off the encore, was dedicated to
those listening on the beach (and doors were opened tonight for their benefit). "American Land," still the final song of the
night, got some help from two Sessions Band members, bassist Jeremy Chatzky and trumpeter Curt Ramm. Thanking everyone for
coming out and helping spread some money to local charities, Bruce also encouraged folks to check out the shops on Cookman
Avenue, and to visit the Wonder Bar, closing soon.
In all, a great deal of rust has been shaken off over the
course of these two shows -- having "guniea pigs," as Bruce put it tonight, clearly goes a long way. May the trend continue
Friday night.
Setlist: Radio Nowhere Prove
It All Night Lonesome Day Gypsy Biker Magic Night She's the One Livin' in the Future The Promised Land Town
Called Heartbreak Darlington County Born in the U.S.A. Devil's Arcade The Rising Last to Die Long Walk Home Badlands *
* * Girls in Their Summer Clothes Thundercrack Born
to Run American Land
September 24 / Asbury Park, NJ / Convention Hall Notes:
And so it begins! Well, it officially
begins next week in Hartford, but tonight on the Asbury Park boardwalk, fans got a first taste of the E Street Band's Magic
show with the first of three warm-up concerts. After spending the last couple weeks working behind closed doors, Bruce and
the band welcomed their first audience to a 21-song performance that was still rough, as expected, but clearly holds a whole
lot of promise.
The opening was particularly strong, Bruce coming out to
ask the crowd, "Is anybody alive out there?" and slamming into "Radio Nowhere," which worked exactly as it should. That went
straight into "No Surrender" and "Gypsy Biker," the latter featuring well-developed head-to-head solos from Bruce and Steve.
A blistering opening three-pack, and a strong first half-hour all around. If the show never quite hung together after that
-- sometimes flowing, sometimes sputtering, still in search of an arc -- it was just a reminder that they're still working
out kinks. Transitions, pacing, lighting, even video, it's all being rehearsed and all a work in progress at this point. (They've
got the full arena stage set up inside Convention Hall, taking up a good deal of the floor and making an already intimate
space even smaller. No wonder tickets were so hard to score!)
But some inspired song choices have us loving where this
thing is headed: "Something in the Night," "Night," the pairing of "Candy's Room" and "She's the One," and the retention of
our favorite two Rising songs from the band's last big outing, "Lonesome Day" and "The Rising." The oldie-but-goofy
"Thundercrack" (written while Bruce was "still in the womb," he said) kicked off the encore. Much as Bruce has broken this
rollicking showstopper out in recent years (on the Devils & Dust tour and at holiday shows), he rightly pointed
out that's it's been a long time for the E Street Band, and even the first time for some of its members. "American
Land" was the final number, with the E Streeters tackling a Seeger Sessions arrangement. Not hard, necessarily, with Soozie
on fiddle (yep, she's present and accounted for, as Bruce promised, also playing a good deal of acoustic guitar tonight)...
plus double accordion, and Clarence on pennywhistle (!)... but still a somewhat strange carryover as a show finale.
Lessee, what else do we know... The show ran two hours
on the nose, from 8:35 to 10:35. Everyone looks good, Little Steven is noticeably trim with his Silvio Dante days behind him,
and Clarence is in great form, taking a seat when he feels like it (are you gonna tell him not to?) but nailing his parts.
Notable omissions: "Badlands"; band intros (or any lengthy "Tenth Avenue"- or "Mary's Place"-style production number); anything
from Devils & Dust. Here's the song breakdown: 7 from Magic, 3 from Born in the U.S.A., 3 from The
Rising, 3 from Darkness, 3 from Born to Run, 1 from Tracks, 1 from American Land. At the beginning
of the show, Bruce said they'd be offering up "a few new ones, a few old ones, maybe a few mistakes, but I doubt it." By the
encore, he amended that: "Well... maybe there were a few mistakes!" There will surely be more tomorrow night. And it's pretty
righteous that, as is now a well-established tradition, a couple thousand fans get to be there to see 'em.
Setlist: Radio Nowhere No Surrender Gypsy
Biker Empty Sky Something in the Night Girls in Their Summer Clothes Night The Promised Land Livin' in the
Future Devil's Arcade Candy's Room She's the One Lonesome Day My Hometown The Rising Last to Die Long
Walk Home * * * Thundercrack Born to Run Darlington County American Land
June 28 / River Vale, NJ / Florentine Gardens Notes:
From HankLane.com: After performing his hit song "If I Should Fall Behind," Bruce Springsteen joined Jeff Lubin (of Hank Lane Music)
and the rest of his band on the stage at Florentine Gardens in River Vale, NJ for a rockin' rendition of the Chuck Berry classic
"C'est La Vie" ["You Never Can Tell"]. The dance floor, packed with Mr. Springsteen's immediate family and personal friends,
erupted into a wall of cell-phone cameras and video-recorders as the boss traded off solos with Jeff Lubin band saxophonist,
Matt Blostein, and keyboardist, Mark Bonder. The Boss could later be seen on the dance floor enjoying himself as the Jeff
Lubin band cranked out pop/rock classics such as John 'Cougar' Mellencamp's "Hurts So Good" and Bon Jovi's "Living on a Prayer."
Setlist: If I Should Fall Behind/You
Never Can Tell
June 12 / Red Bank, NJ / Two River Theatre Notes: At the intimate Two River Theatre, Jackson Browne played a benefit show for Terry Magovern's
ALS charity (Joan Dancy and P.A.L.S.). After a lengthy acoustic set (including "I Am a Patriot," "Late for the Sky," "In the
Shape of a Heart," and "The Pretender") Browne was joined by his Rock and Roll Hall of Fame inductor, Bruce Springsteen, for
two songs.
Setlist: Running on Empty/Will the
Circle Be Unbroken?
June 11 / New York, NY Notes: At a World Hunger Year benefit dinner honoring Jackson Browne and Jon Landau Management, Springsteen joined others including Browne for a little
music at the end of the night, strumming along to Harry Chapin's "Circle." Setlist: Circle
May 12 / Red Bank, NJ / Count Basie Theatre Notes: Brian Wilson played the Beach Bash at the Basie, the
Count Basie Theatre's 5th annual gala fundraiser, and a local hero joined in for some fun, fun, fun. A particular auction
item earlier in the evening might have been a tip-off: a Challenger surfboard signed by both Wilson and Bruce Springsteen.
The surprise guest spot came during the encore, when "The Boss!" was introduced for "Barbara Ann." Springsteen played rhythm
on a white Les Paul, stepping up for a solo, too, and he shared a mic with the sax player to sing along on the chorus. For
the final song, Bruce was back sans guitar to sing harmonies on "Love and Mercy" from Wilson's 1988 self-titled solo debut.
Setlist: Barbara Ann (with Brian Wilson)/Love
and Mercy (with Brian Wilson)
April 29 / Asbury Park, NJ / The Stone Pony Notes:
After a lengthy afternoon soundcheck
at the Pony, Bruce Springsteen took the stage in the evening with Bobby Bandiera and his band for another private benefit
for the Ranney School. The usual 1-2 song soundcheck was replaced with a 3+ hour rehearsal, beginning at 2:00. Some band members
were cramming up until showtime -- last-minute setlist changes had Eddie Manion heading out to his car to retrieve sheet music
from his trunk. As for the show itself, Patti Scialfa and Southside Johnny guested once again, and previous school benefits
provided a good model, though this year's was weighted away from covers towards Springsteen's own material. From the former
category, a major highlight was "Time is on My Side," handled largely by Patti but with Bruce taking the spoken middle part;
Southside Johnny led a medley of "Can I Get a Witness" and "Everybody Needs Someone to Love." Originals included "Man's Job"
and a bluesy "Pink Cadillac" driven by "Peter Gunn"-style horns. School parents paid $3,000 per couple for this intimate rave-up,
receiving a promise at the end of the night that the tradition would continue: "We'll see ya next year!"
Setlist: Cadillac Ranch 634-5789 Cover
Me Spirit in the Night From Small Things (Big Things One Day Come) Two Hearts Rendezvous Brilliant Disguise
(with Patti Scialfa) Tell Him (Patti) Time is on My Side (Patti) Further On (Up the Road) Waitin' on a Sunny Day Seven
Nights to Rock The Fever (Southside Johnny) Can I Get a Witness/Everybody Needs Somebody to Love (SSJ) Talk to Me
(SSJ) Darlington County Man's Job Pink Cadillac Tenth Avenue Freeze-out Boy from NYC (Patti) Dancing in
the Dark Twist and Shout
April 5 / New York, NY / Carnegie Hall
Notes: As a hard-rocking, frenetic version of "Atlantic City" performed by The Hold Steady
wrapped up the "Tribute to the Music of Bruce Springsteen," a sold-out Carnegie Hall audience was pleasantly surprised as
the man to whom 20 artists had previously paid tribute appeared on stage. Benefiting the Music for Youth Initiative of
the UJA-Federation of New York, the already-excellent performance was capped as Bruce walked up to the microphone, telling
the crowd, "I'm still alive!"
Springsteen's performance started
with an acoustic guitar and harmonica version of "The Promised Land," pairing the familiar melody with the emotive vocal style
used on versions on the Tom Joad and Devils & Dust tours.
Bruce remained on stage to perform a surprise
version of "Rosalita," first solo acoustic, with an improvised story in the middle ("it's been a long night, and I'm running
out of lyric sheets!"), and then again with all of the evening's performers on stage, in all its full-band glory (house band
Elysian Fields clearly knew their Bruce). Lead vocals the second time around were shared by Craig Finn of The Hold Steady,
Badly Drawn Boy, and Jesse Malin.
Earlier in the evening, Springsteen collaborators
old and new were present to perform: Patti Smith sang "Because the Night," Jesse Malin was joined by Ronnie Spector on "Hungry
Heart," and Marah got the crowd into the show early with an energetic performance of "The Rising."
Other highlights (and there were many) included
Joseph Arthur's version of "Born in the U.S.A."; Juliana Hatfield's solo electric reading of "Cover Me"; Badly Drawn Boy backed
by Elysian Fields on a full-band "Thunder Road"; jazz pianist Uri Caine's "New York City Serenade" piano instrumental; Odetta
performing what Bruce described as "the best version of '57 Channels' ever," and the Holmes Brothers' "My City of Ruins" with
the Young People's Chorus of New York City, one of the musical groups receiving grants form the proceeds of the performance. - Debra L. Rothenberg photos
Setlist: Nebraska - Steve Earle Streets
of Philadelphia - The Bacon Brothers Streets of Fire - Elysian Fields The River - Josh Ritter Because
the Night - Patti Smith The Rising - Marah My City of Ruins - Holmes Brothers with the Young People’s
Chorus of New York City Brilliant Disguise - Robin Holcomb Jersey Girl - Jersey Guys with Bobby Valli Spirit
in the Night - North Mississippi All-Stars New York City Serenade - Uri Caine Cover Me - Juliana Hatfield One
Step Up - Low Stars Thunder Road - Badly Drawn Boy Born in the U.S.A. - Joseph Arthur Dancing
in the Dark - Pete Yorn Hungry Heart - Jesse Malin with Ronnie Spector I’m Goin’ Down
- M. Ward 57 Channels - Odetta Atlantic City - The Hold Steady The Promised Land - Bruce Rosalita - Bruce Rosalita
- Bruce with all performers
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